This work was born from a sentence by Heidegger –“Not even the skylark sees the open”
and some of his thoughts on the relation and difference between human being and animals.

The reflection on human being is analyzed in opposing organicity and form, therefore this is a study on the idea of boundary – in the space and in compositional terms.
Dance is here thought as a composition and a choreography of actions in a flow and continuous exchange between gesture and movement.
Even using a dance contemporary – western vocabulary the meaning of the oriental saying: “The obstacle is the way” is kept.
To create the physical score actions and reactions of an extreme but very common and everyday relation have been selected and filtered: the sadomasochistic relation in a continuous shift between torturer and victim.

The making of the music has followed a language of construction and not of composition.
The discovery of sounds within the dramaturgical structure follows a process of harmonic analysis and synthesis.

The physical and musical research follows an identical process of creation that goes in the direction of defining a language and a method, remaining although within the frame of ‘liquid forms’.
Tiqqun is a Jewish word and it can be translated with the word Reparation.
Tiqqun is also a group based in Paris: its analysis and criticism of contemporary world has been a source in starting this project.